Leon and Mathilda |
I am a fan of Luc Besson's movies. Unfortunately, this French filmmaker is thought to be "Americanized," because his films are made for the mass market. Did the years he spent in the U.S. influenced or denatured his French fiber? What if he was the one who influenced American movies?
French movies are known to be highly philosophical. So are Luc Besson's movies.
I discovered the French filmmaker with his movie "Leon," released in 1994. When I compare "Leon" to "The Chorus," a movie in the pure French tradition, made by the French filmmaker, Christophe Barratier, I believe Luc Besson has not deviated from the French tradition. He simply makes movies that correspond to the expectations of his contemporaries.
Clement in "The Chorus" |
Both Leon and Clement give the only thing they have and cherish to these teenagers who have nothing to rely on in life. Leon gives his life so that the teenage girl may live and Clement uncovers and develops the musical skills the teenage boy has. Interesting enough, both adult protagonists owe their redemption to the teenagers they teach and to whom they pass on what they have.
Obviously, as a professional killer, Leon takes the lives of people while playing with his gun. However, his teaching and sacrifice allow the teenage girl to live with a more promising future.
Similarly, by preventing people to enjoy music, Clement dispossesses people from a crucial element that balances their lives: music. Thanks to his teaching, he allows a young gifted individual to perpetuate effect of music on human's life: soften manners.
I like both movies and consider they have been made by French filmmakers with two different approaches. In a next post, I will compare the narratives of both movies.